Bao wrote:wingchun wrote:Thanks for the replies guy, after going through all the threads you guys posted, none of them explain the internal mechanics of what's going on in the clip. Is the old guy just using a combination of peng jin with intention to bounce his students? Can someone please breakdown what he is doing to affect his students in this manner?
These clips will explain most of it:
https://www.youtube.com/watch?v=Fm9REWZX9F8
Bao wrote:These clips will explain most of it:
https://www.youtube.com/watch?v=Fm9REWZX9F8
https://www.youtube.com/watch?v=644ptQ0gZZ0
http://v.youku.com/v_show/id_XNTE1MDg5M ... -1.1-1-1-1
windwalker wrote: watch the contact point, and what he does with with his other hand
at 2:42 he tells he explains a little to his student.
try drawing a circle from the contact point, going to the teacher, down to the ground up through
the students feet back to the contact point.
wingchun wrote:Bao wrote:These clips will explain most of it:
https://www.youtube.com/watch?v=Fm9REWZX9F8
https://www.youtube.com/watch?v=644ptQ0gZZ0
http://v.youku.com/v_show/id_XNTE1MDg5M ... -1.1-1-1-1
Ian Sinclair's movements does not have the same effect on his partner as the old guy does. when the old guy bounces his partners away, he force seems to colapse their hip and spine area, but when Ian does it, his force just uproots them. Ian movements also seems more overt where as the old guy's is more subtle to the point where it looks effortless.windwalker wrote: watch the contact point, and what he does with with his other hand
at 2:42 he tells he explains a little to his student.
try drawing a circle from the contact point, going to the teacher, down to the ground up through
the students feet back to the contact point.
Do you believe the old guy's skill is real or staged?
Also Could you please explain the concept that he is explaining
windwalker wrote:Hes telling them that "its here" at different points.
He can feel when his "give it a name" has moved through the other person.
The students are not actively resisting it, but they can feel it move through them and react to this.
I call it awareness in china they would say "yi" intent.
One can either move this and follow the body, or move the body directly which is what most try to do. The affect is different.d
windwalker wrote:if you pick a time frame in the clip,,,one that you have a question about maybe we can look at that? d
How do you move this instead of moving the body?
also would you say this awareness of "Yi" intent is the same as ground reaction force?
Also will it still work if the opponent does an explosive shove/push directly in front on the practioner's centerline say on his chest. in both the old guy and Mark Cohen's clips, i notice their partners are always pushing them on their left and right channel when there are in a square neutral stance, but never directly on their centerline/central channel? please refer to the image below for the definition of central, left and right channels.
wingchun wrote:I think this is more in line with the type of skill that I am referring to:
https://www.youtube.com/watch?v=t4hOuO3XoO4
https://www.youtube.com/watch?v=-HQCVH9TuAY
Ian sinclair and the chinese guy in the YouKu video seems to be doing the yang peng, where as the old guy and Mark cohen seems to understand how to do the yin peng. I am more interested in the bio-mechanics involved with the Yin Pang, it would be great to get an in depth explanation of the physics, theory and details involved with the yin pang?
windwalker wrote: the mind directs where the center can be. Its like surfing a wave. in this case one is the wave the other is the surfer with the exception that this wave has a mind to it
directing it.
wingchun wrote: Also will it still work if the opponent does an explosive shove/push directly in front on the practioner's centerline say on his chest. in both the old guy and Mark Cohen's clips, i notice their partners are always pushing them on their left and right channel when there are in a square neutral stance, but never directly on their centerline/central channel? please refer to the image below for the definition of central, left and right channels.
windwalker wrote:good questions, one has to be able to empty the point of contact, what one has to react to in time, is the intent of the push. This allows the body to take any shape needed to do what ever one wants to do with the physical force. If one is late, or before they end crashing into it, or being rocked back with it, instead of directing it as needed.
wingchun wrote:windwalker wrote: the mind directs where the center can be. Its like surfing a wave. in this case one is the wave the other is the surfer with the exception that this wave has a mind to it
directing it.
Would you say this aspect of the mind or awareness is the same as the ability to project your mind? for example if you are driving a car, you don’t look at the steering wheel when you are driving a car, you actually look at the road in front of you. so that your mind goes on auto pilot?
no I would say that the mind is very active but not stuck to anyone place or idea, as in driving a car, there is no separation between the act, action and actorwingchun wrote: Also will it still work if the opponent does an explosive shove/push directly in front on the practioner's centerline say on his chest. in both the old guy and Mark Cohen's clips, i notice their partners are always pushing them on their left and right channel when there are in a square neutral stance, but never directly on their centerline/central channel? please refer to the image below for the definition of central, left and right channels.windwalker wrote:good questions, one has to be able to empty the point of contact, what one has to react to in time, is the intent of the push. This allows the body to take any shape needed to do what ever one wants to do with the physical force. If one is late, or before they end crashing into it, or being rocked back with it, instead of directing it as needed.
so it comes down to timing?
Can you explain how to tap into the awareness field of the mind?
In order to win, we should operate at a faster tempo or rhythm than our adversaries--or, better yet, get inside [the] adversary's Observation-Orientation-Decision-Action time cycle or loop. ... Such activity will make us appear ambiguous (unpredictable) thereby generate confusion and disorder among our adversaries--since our adversaries will be unable to generate mental images or pictures that agree with the menacing as well as faster transient rhythm or patterns they are competing against.
The Affliction Of Abiding In Ignorance
The term ignorance means the absence of enlightenment. Which is to say, delusion. Abiding place means the place where the mind stops.
In the practice of Buddhism, there are said to be fifty-two stages, and within these fifty- two, the place where the mind stops at one thing is called the abiding place. Abiding signifies stopping, and stopping means the mind is being detained by some matter, which may be any matter at all.
To speak in terms of your own martial art, when you first notice the sword that is moving to strike you, if you think of meeting that sword just as it is, your mind will stop at the sword in just that position, your own movements will be undone, and you will be cut down by your opponent. This is what stopping means.
Although you see the sword that moves to strike you, if your mind is not detained by it and you meet the rhythm of the advancing sword; if you do not think of striking your opponent and no thoughts or judgments remain; if the instant you see the swinging sword your mind is not the least bit detained and you move straight in and wrench the sword away from him; the sword that was going to cut you down will become your own, and, contrarily, will be the sword that cuts down your opponent.
In Zen this is called "Grabbing the spear and, contrariwise, piercing the man who had come to pierce you." The spear is a weapon. The heart of this is that the sword you wrest from your adversary becomes the sword that cuts him down. This is what you, in your style, call "No-Sword."
Whether by the strike of the enemy or your own thrust, whether by the man who strikes or the sword that strikes, whether by position or rhythm, if your mind is diverted in any way, your actions will falter, and this can mean that you will be cut down.
windwalker wrote: the mind directs where the center can be. Its like surfing a wave. in this case one is the wave the other is the surfer with the exception that this wave has a mind to it directing it. I would say that the mind is very active but not stuck to anyone place or idea, as in driving a car, there is no separation between the act, action and actor
wingchun wrote:Perhaps you can explain what's going on internally in the old man's body at 1:09, 1:39 and 1:55 in the clip to create that type of reaction in his partners? https://www.youtube.com/watch?v=KZdtM5p6ZkA
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