The Other Side of the Martial Story

Discussion on the three big Chinese internals, Yiquan, Bajiquan, Piguazhang and other similar styles.

The Other Side of the Martial Story

Postby Bob on Tue Jan 15, 2013 2:11 pm

http://www.plumpub.com/kaimen/2013/the- ... ial-story/

:)

The Other Side of the Martial Story

For more than a decade the phrase “kick ass” has been closely associated with martial arts, mixed or nix. And, truly, the functional range of skills spanning from self defense to full combat is always a big martial concern. This is the Yang aspect of the arts and, of course, like most things Yang, it is out there in the public eye. Hard to miss. Martial arts special effects in movies are in the same category. But Yang is only half the story.

There is another side of martial practice, a very good and important side, which might be called the “Yin” portion. It is not my imagining. These Yin attributes were designed into the DNA of martial practice regardless of how many people want to cancel them out. They are benefits which all too often remain hidden in the tournaments and belt tests and endless parade of stuntmen performing aerial cartwheels. Here are just a few:

1. Beauty:
I’m putting this up first just because it’s the one that will challenge the most people. But the truth is that a good deal of people find tremendous beauty in martial movements and postures. And why not? They were created to be beautiful. To the serious student, martial arts means martial arts. It is a real added benefit, not some kind of cultural stupidity that added art andmartial practice together. After all, people see martial movements all the time in movies, dancing, and everywhere else and admire them greatly. The beauty is there, and it is an inspiration hundreds of years old. It’s true that getting used to Asian aesthetics may sometimes take some time. But it is worth it. It saddens me to see the tiers lined with parents who really have no idea of what they are watching, and can’t see a speck of beauty in it.

2. Peacefulness.
Trying to be peaceful, even a little, is not a pleasant hobby in the martial arts; it is an imperative. From the classical perspective, that school of surf nazis in the Karate Kid (the original) were not martial artists at all. They were thugs who knew some martial movements. Is that too abstract? What would you say to a judge with no judgement? Same thing.

3. Curiosity
What is the history of my style? Where did it come from and who made it? What is the difference between this culture and others? Who was the Buddha? What is the poetry, painting and society of this culture like? The student who is strong may not always “kick ass” but he will be able to pursue his interests, because a lot of martial training is done alone over long periods of time. Martial artists tend to be stubbornly persistent, and their learning also extends inside. Facing their own fears and limitations is not a new task to them.

4. Formality.
When some ad in the phone book says that martial arts will teach your child respect, don’t believe it—at least not at face value. What martial artists teach is form from which we construct formality. It’s very Confucian. He— one of the world’s great teachers— believed that formal patterns lead to understanding. He was right and we’ve got it exactly backwards. If you don’t feel something at your grandmother’s funeral the correct thing to do is go to more funerals, not stop going altogether. You simply haven’t learned to connect with your feelings; if the ceremony is right, you will come to them. The proper respect between people is learned like a language. It is not the gift of birth but of work.

5. Fun.
You can take Kung Fu seriously, and that’s good. You can also take it too seriously and that’s not so good. Despite the worried look on many teacher’s faces the truth is that Kung Fu can be great fun. When you have such a heart-felt involvement you are often, paradoxically, at your most serious. Sometimes the light-hearted approach garners the greatest results. And, after all, fun is fun.

There are so many more. Most of the time in the media—and it is considerable in an average day if you count fight scenes—is dominated by movie fantasies or people looking to convert everything to a more commodity-oriented, results-guaranteed, kick-ass approach. This, too, will meet some peoples’ needs in certain circumstances. But this particular wine has many vintages, and some are best sipped rather than guzzled.
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Re: The Other Side of the Martial Story

Postby Craig on Tue Jan 15, 2013 2:35 pm

Nice post, certainly one that strikes a chord with me. I'm not very martially orientated in my training, although I'll happily scrap with anyone who can keep the anger and ego out of it and just have a bit of fun, but those people are few and far between ime.

The point about beauty is especially awesome, there's nothing quite like watching a master of an art performing (any art), and for me xin yi liu he especially does that in such a simple way. And when you get the feeling of doing that yourself, it's a very powerful feeling.

Thanks for the link.
Xin Yi Liu He Quan, Cha Quan - Sept03
Yang TaiJi Quan - Sept05

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http://www.arctraining.com.au
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Re: The Other Side of the Martial Story

Postby river rider on Tue Jan 15, 2013 3:38 pm

The mention of Beauty reminded me of an old post of mine from a few years ago, quoting Zhang Yun, who trained in Wu Taiji under Wang Peisheng and others, in his book The Art of Chinese Swordsmanship...

"Only through beautiful movements can one gain a real understanding of the internal components of all Taiji forms and only through beautiful movements can one develop the light and agile techniques that make it possible to reach a high level of expertise... You must always bear this in mind when you practise taiji jian and combine it with your practice of techniques and fighting skills. It is difficult to explain this principle clearly; it can only be felt from your practice... Movements that are beautiful just for their own sake and do not reflect a knowledge of martial art skills and principles have no place in serious training. The two kinds of movement may appear superficially similar but they differ significantly..."

I've gotten some eye rolls for linking beauty and fighting arts in this literal way, but these guys know way more than I do, and so I'm willing to listen and try. The book presents Wang Peisheng's 32 posture wu jian form, and much concerning jian principles.
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Re: The Other Side of the Martial Story

Postby Bob on Tue Jan 15, 2013 3:57 pm

The post is done by Ted Mancuso--he has been a favorite writer of mine for years.

Good guy!
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Re: The Other Side of the Martial Story

Postby allen2saint on Tue Jan 15, 2013 4:06 pm

Bob,

I agree with you 100%. When Robert W. Smith spoke at William Chen's school he asked us,"Why practice the martial arts?"

We all struggled with the typical stuff, self defense, exercise, etc and he finally stopped us.

"What about the heft of it? Just the experience of the art itself?"

I will always remember that.
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