Steve James wrote:I don't think there is one tcc punch.
Steve James wrote:I don't think there is one tcc punch. It's just a strike using a closed fist.
wayne hansen wrote:Those who can't find every punch in boxing in the tai chi form aren't qualified to talk on either subject
Look in the section after turn round chop with fist
The San shou holds many other variations
robert wrote:Taiji is about how you move, how you generate power, not a set of techniques. A taiji fighter should follow the principles - one part of the body moves, the whle body moves, and that requires that you are relaxed, but does it impose other constraints? Taiji should adapt to the situation.
Here are a couple of videos - the guys in the black pants trained in Chen taiji and are or were instructors at Chen Xiaoxing's school. Here they are competing with some muay thai guys following rules that are basically muay thai. They spent six months or a year training according to muay thai rules prior to the fights.
Wang Jinhu
https://www.youtube.com/watch?v=73gR-QtgvDM
Wang Yan
https://www.youtube.com/watch?v=vlZhdSuuEZ0
marvin8 wrote:Do you believe this taiji shenfa has been displayed in the push hands competitions, tai chi combat competitions, or sparring, that we have seen?
GrahamB wrote:I'm interested in what you think.
1. Is there a difference between a good Sanda punch and a good Tai Chi punch? If so, what's your reasoning. And if not, what's your reasoning.
2. If you've been on the receiving end of punches from different styles (say, in competition or sparring) - did they feel different? If so, how?
johnwang wrote:It's not Taiji punch, it's not boxing punch, it's your punch. After you have developed your skill, the term "style" will have little meaning. If you have cross trained Taiji, Baji, white crane, ..., when you throw a punch, you won't know what kind of punch you are throwing.
I have seen people integrate the white crane punch into Yang Taiji. I have also seen people integrated Baji punch into Yang Taiji. So which style should get the credit? Taiji, white crane, or Baji?
All students graduated from the Chinese Central MA Institute would need to train many different CMA styles. None of those students could say that they throw a 100% Taiji punch.
Steve James wrote:Afa as the Chen tcc vs Muay Thai, if one wasn't told before, I don't think anyone would say that it was Chen, Wu, or Yang. But, clearly he was using Muay Thai techniques. Watch the stepping. There's a reason.
Steve Rowe wrote:By punch I presume you mean a fist strike. All my Tai Chi 'punches' are curves. Ma Lee Yang describes the fa geng as 'like a pinball' so the pulse from the feet through the core would have a pinball effect on impact on that part of the curve. Also we never just punch it would be a part of a sequence like in 'deflect and punch' one hand pulls the head forwards and down whilst the other punches in a curve upwards. In 'fist under elbow the punching arm cuts through the opponents arm before the punch whilst the other hand presses through the collarbone on the other side destroying the structure in preperation for the strike.
Dr. Yang, Jwing-Ming wrote:Jing’s Substantial Insubstantial
. . . To attack where opponent is strong is called “mutual resistance.” This is inefficient, and contrary to taiji principles. You must train so that you automatically meet the opponent’s substantial (attacking) jing with and insubstantial (defensive) jing. As you defend, you may simultaneously counter or set yourself and your opponent up for your counterattack.
Offensively, attack where the opponent is weak. This does not mean where he is insubstantial because you would be falling into a trap. Instead, attack when he is switching from a substantial jing to an insubstantial, or vice versa. If you catch him just before he emits an offensive jing, you will be able to succeed.
Substantial and insubstantial jing are determined by your yi (mind). When you sense the opponent’s intention, your yi can change your actions from substantial to insubstantial, and vice versa. To facilitate this, do not emit all your energy. Rather, conserve some so that you can easily switch from one technique to another. . . .
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