TaoJoannes wrote:Not enough Yin yet. Bruce is extremely Yang, so working with him is a good way to find my own hardness.
bigphatwong wrote:TaoJoannes wrote:Not enough Yin yet. Bruce is extremely Yang, so working with him is a good way to find my own hardness.
Fabulous!
bigphatwong wrote:Sorry man. It was as wide open as the US-Mexico border.
bigphatwong wrote:Sorry man. It was as wide open as the US-Mexico border.
Felipe Bidó wrote:Get back on topic, people
TaoJoannes wrote:Not enough Yin yet. Bruce is extremely Yang, so working with him is a good way to find my own hardness. Basically, as has been said, if you can feel the opponent's resistance, that means you're resisting. With another skilled player, I've been able to counter or escape everything they threw at me simply by going with it until I decided it was enough and simply let them catch me by tensing up.
TaoJoannes wrote:I remember when I first started studying good Taiji, and I was having a discussion at work about MA, and one of the guys asked a TKD tournament fighter (scoff all you like, dude's a badass) what he thought of it, and dude said "I fought this one old lady one time and I just couldn't pull anything off. Everytime I struck her, it was like hitting smoke."
That, to me, is what I'm looking for.
bruce wrote:to address the original post, my "yin factor" i think i am good at going from very yin to very yang as needed.
without being yin your sensitivity (ting jin) will not be good. and my sensitivity is pretty good so i think that is a attribute of yin.
some example (both good and bad) are here http://www.youtube.com/watch?v=k0TDZpJMLvM
in my opinion yin does not mean limp but must have some "strength" in it.TaoJoannes wrote:Not enough Yin yet. Bruce is extremely Yang, so working with him is a good way to find my own hardness. Basically, as has been said, if you can feel the opponent's resistance, that means you're resisting. With another skilled player, I've been able to counter or escape everything they threw at me simply by going with it until I decided it was enough and simply let them catch me by tensing up.
1. it is good to test that resistance and understand what the other person can and cant do with it.
2. in practice if both parties are always yin you will not have much practice.
3. i think practicing transitioning from yin to yang is very important to understanding sensitivity.
4. this transition from yin to yang does not need to be like a metronome it should be dynamic based on what you feel from the training partner.TaoJoannes wrote:I remember when I first started studying good Taiji, and I was having a discussion at work about MA, and one of the guys asked a TKD tournament fighter (scoff all you like, dude's a badass) what he thought of it, and dude said "I fought this one old lady one time and I just couldn't pull anything off. Everytime I struck her, it was like hitting smoke."
That, to me, is what I'm looking for.
that is a great skill to develop. along with the skill of being like "smoke" you must also have the skill of being like a freight train and be able to switch between them as needed.
TaoJoannes wrote:
Not enough patience to break it out. Yin doesn't mean limp, just not letting you feel the structure, if I feel yours you feel mine, so if I'm trying to hide my structure and I can feel your resistance, I'm resisting too much.
TaoJoannes wrote:The freight train thing is easier, and I'm not convinced that you really need all that much, ideally, only a minute trigger force should be enough to overwhelm the opponent. I mean, I know you don't necessarily agree with that, but more and more I'm pretty sure that this is the true root of authentic yang taijiquan.
TaoJoannes wrote:I've been blabbing all over the board about this lately, so no need to belabor the point, but I know exactly what I mean, regardless of whether I can communicate it to anybody in a way they can understand if they don't already get it. It's hard.
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