by Bhassler on Sat Sep 19, 2009 7:43 pm
In my own experience certain belief systems have to be in place for certain aspects of my art (taiji) to work. Things like relaxation, yielding/borrowing, investing in loss, etc., have to be automatic responses, not something that all of a sudden applies in a physical altercation but no other time. The philosophy of the art serves to reinforce the correct mindset so that it becomes ingrained deeply enough that it's there under pressure-- it serves a similar purpose to mental techniques like visualization, self-hypnosis, and so forth. The test of the thought process-- and all MA training-- is "does it work?"
I've had teachers that talked all about this and that philosophy but were on their third wife, were strapped for cash, and couldn't be in the room with their 13 year-old son for 3 minutes without a screaming match. To me that fails the test of "does it work?" On the other hand, my current teacher uses his taiji philosophy for fighting, computer programming, corporate politics, familial relationships, and trading in the stock market, and he is successful at all of those things. So when I started training with him I looked at it and said "here is a better man than I, and I can learn from this." I believe in the philosophy because I see proof that it works in every realm, and I trust in the teaching because I can see it demonstrated physically, practically, and concretely every time I go to class. So now I have a deep and profound philosophical approach to life that I believe is necessary to the mundane physical success of my art, and over time the art has permeated my life. At what point does a profound and pervasive cognitive philosophy become something that could be considered "spiritual?"
That's a question each person could ask or answer for themselves, but for me it points to certain aspects of my art that can only be attained by allowing the art to become so deeply ingrained in myself that it definitely borders on the spiritual. Those are my own experiences and may not relate to anyone else, but it is an example of philosophical/spiritual aspects of an art that are inherent in and necessary to the practice, and are not the result of teacher/style worship or cultural misinterpretation (unless one assumes that the necessary mental conditioning is inherent to the source culture, in which case it would be a case of cultural transplantation rather than misinterpretation).
What I'm after isn't flexible bodies, but flexible brains.
--Moshe Feldenkrais