by Andy_S on Sun Sep 21, 2014 10:10 pm
My sense is that the early training of the village people from Chen Zhaipei did not focus much on combat: After all, Zhaopei had suffered heavily at the hands of the authorities during the cultural revolution, and he probably did not want to push his luck. Also, at that time - in the 1960s and 70s - Taiji was already widely established as a health routine rather than an MA. That is a pity as he COULD fight (at least, according to the stories told in the village): He apparently set up a leitei in Beijing on his visit there, where he established Chen Taiji's reputation. When his senior Fa-ke subsequently arrived in Beijing, Zhaopei moved off to Nanking to spread the gospel further. (Oddly, I have never heard of any of his students from Nanking, whereas Fa-ke had a strong cadre of students in Beijing who continued his legacy - Zhaokuei, Hong, Feng et al).
So it is not surprising that Chen XW went to Beijing to learn from Feng, though they later fell out. I am not sure over what. Anyone...? And oddly enough, I agree with some of Chen's critiques of Feng' s techniques, such as his "headbutt-the-gut-while-punching-the-foot," a ridiculous application he shows in the Chen/Feng book. Maybe Feng had a sense of humour...?) What makes this doubly odd is that I suspect Feng had much more combative material and/or experience than Chen.
I am not sure where Wang got his combative material from: If memory serves, he spent some extra time (ie more time than the other three "warrior attendents") under Zhaokui...? Certainly, Wang and his sons did have a reputation in the village of being badasses, to the point where (I have heard) they were jailed for extortion and or bullying behavior. I understand that they have now quietened down and make a decent living teaching Taiji. There again, in the village today, Chen Beng and Chen Ziqiang seem to be as widely respected combatively as the Wang boys, which indicates to me that they all have largely the same training; The different may be emphasis rather than per se knowledge.
All that having been said, out of all the "new" forms invented by Chen Xiaowang, Zhu Tiencai, Chen Ziqiang, Chen Bing in the last couple of decades, the only one I find particularly compelling is Wang's fajing form: Looks very effective and expressive. It is also the only one that really seems to be a worthwhile addition to the Chen curriculum, rather than being simply a distillation or shortened version of the classic forms.
Not sure about Chen XW winning any PH comps: I have heard the opposite - ie that PH was not one of his better skillsets and he lost at least one tourney in the first round. And today, he is certainly far more of a form guy noted for his fajing displays (but not fajing applications) than he is for PH or related skillsets.
I'd agree that Chen Yu has a rather different curriculum from the village peeps. His shenfa is different - this is true of several of the Zhaokui students - and he seems to have much more emphasis on applications, especially qinna, than the village people. I am not sure if his guys are doing any better than the village guys in sanda and PH competition, though. And it should be noted the Yu is "on the village team" - he visits there, teaches and/or demonstrates there, is on the lineage charts, etc, etc. That seems not to be true of the other branches of Chen - notably the Hong and Feng lines.
I should add that the "four tigers" were not the only guys in the village who did (or do) Taiji. There are other lines who learned material that was from neither Fa-ke or Zhao-pie. Most prominently, these are the huleijia line (in a suburb of Chen Village) and several masters of xiaojia (small style).
As TaiwanDeutscher found on his trip in the 80s: Chenjjiagou was a very conservative place and even today it is impossible to see what is going on in the houses, as they are mud-walled compounds. I don't think the public spaces for training (eg the circular concrete plaza over the stream, and commercial Taiji schools) were around in the early 80s. Even so, SOME people did get a glimpse of the art even back then: There is that documentary which prominently features severl elders and Chen Xiaowang which was filmed around that time - that even included a few qinna and applications - and a Taiwanese group that included John Wang and Adam Hsu, visited the village then and filmed a lot of material, including the huleijia.
I should add that Deutshcer himself is now learning a (excellent) huleijia line that was certainly represented in the village in the 1980s, but which has, I think, only recently come "out of the closet" and which looks very combat effective from what I have seen. (Which, I should add, is limited to YouTube clips)
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