emptycloud wrote:dogsbody wrote:emptycloud wrote:As regards what Gleason is doing in the vid clips I have seen, happens week in - week out at the club I attend. All Gleason is doing is skilfully playing with uke's attention, a kind of hypnotism. If you have an uke whom you can trust to not mess you around and give you lots of focused energy, then the physical art of aikido is simple, its just a matter of skill training.
Hi guys... I'm late to the party and should probably keep my big mouth shut but I stumbled over the above and felt that I have to comment. I am a current student of Bill Gleason (long-term student, I guess--time flies) and there's just nothing accurate about this explanation at all. I mean, hypnotism? Playing with uke's attention? Seriously? It's not my place to try and interpret my teacher's art, but I can say that there have been any number of times when I've thought, "Okay old man--this time I own you!" and given him a full-on attack, or tried to mess him up halfway through a technique, and I haven't gotten away with it yet.
A sempai of mine once told us students it was up to us to challenge him or he'd never get better... I think maybe he was just messing with us, but I've taken the advice to heart. And every year he gets better.
Oh, and to the guy who said he didn't trust anyone who encouraged others to kneel before him... clearly you haven't been introduced to Howard Popkin's "Welcome to prison" technique.
Welcome to the party. In no way do I wish infer that what Mr Gleason is doing is easy, but it is simple. What you describe as practice fits perfectly what I describe as a form of hypnotism and playing with ukes attention. If you give your teacher a full on attack, what are you doing..? You are pouring massive amounts of attention upon a single point, i.e. your teacher. What is hypnotism in its simplest form, it is concentrated and committed focus of attention upon a single objective. Now how difficult is it for your experienced teacher to play with your attention and energy..? especially if you believe and respect his ability.?
As an experiment do the opposite, don't focus on your teacher, give him no attention and no energy, don't try to nail him, withdraw all effort, disregard him completely. Now see how much he effects you - zilch -, or he has to motivate your attention, enter stage right, the art of atemi.
Aikido is simply the study of uke/nage relationship, but not many teachers talk about this. Without ukes energy there is no aikido. Every year you get better at focusing your attacks thus every year your teacher gets better at playing with this focus. Your relationship of trust grows, he knows you won't actually smash his skull with a bokken (only a psycho would).
Its a game and a very interesting one at that. Ask your teacher if he is simply playing with your attention and focus.
Have you noticed how beginners are dangerous to work with. Their attention is untrained in the art of aikido thus they do random shit and the techniques never work or things are just scrappy. Over time they learn the routine, they begin to focus and take break falls and they become good ukes.
Another way of looking at it. What motivates your arms and legs to attack your teacher, what drives them across the matt at your chosen target, what trained them to break fall or swing a bokken..? . Your attention does all of this and its your attention that gets disrupted by nage.. and then we switch roles and this is called practice.. its great simple fun..
attention, attention, attention,
etc. etc. etc.
Sorry, you are not seeing what you think you see. That's okay. No harm, no foul. And I know that you understand that Bill is not fighting he is just doing an art form. And in case folks are wondering...Yes....Bill is intimately aware of the differences.
I know in great detail what he is actually doing and interestingly what he is doing works on a group of people that another big shot famous Japanese sensei says that same group of people? He can't move anymore. Hypnotism hardly applies since that same group of people latched on to said Japanese sensei and just stood there looking at him as he tried to move them with his "internal power."
From Bill to meAikido ukes cooperate. And for sure those people are cooperating to a degree. Bill, is doing some limited work to show some finite things IN AN AIKIDO MODEL!
What Bill is working on...is part of a larger model. When doing seminars I frequently use Aikido people to show what is going on as well. They move with forces in such a way that it makes a more clear model of what I am doing on the inside and outside. Then...I grab less cooperative people, then...I grab grapplers or MMA guys who don't move that way and change to a better attacking position. Why do I do this in open rooms with now well over 3,000 witnessed accounts? Because I am showboating? Please...many people who come to my seminars are decades long, cross trained martial artists,
who could give two shits about being impressed by yet another yahoo. I do it because it clearly shows people that what I am teaching fits in multiple models and does not depend on attaching to someone else's center, does not need or require techniques. From one to the other example; it is not dependent on cooperation, it is not dependent on styles. It is the foundation of martial techniques and highly effective across platforms, from empty hand to all types of weapons, classical and modern.
Assuming too much when watching Aikido, taiji or or any art really.Here is an interesting point. Sometimes I can also use someone who IS A GRAPPLER, and ask him to first do aikido ukemi and then when asked? Turn on to fighter mode. How is that? Where did these guys come from? Believe it or not, I know some seriously capable military spec ops guys who are also, Bjj and judo cross trained who are killers, real snake eaters (Yes! actual, very real, experienced killers) who
choose to do aikido in a flowing cooperative manner. I sometimes voluntarily call these guys
"sir"..... unasked. My point? NEVER assume when watching videos of men doing an art form, of knowing what else they can do or have done...from them doing a simple chosen art form.
Edit: The superior Martial artistsAnd therein lies another point about the
question of superior martial artists. Those guys I mentioned above? They ARE SUPERIOR to the vast majority who do not know and have not done what they know and can do. Its just the way it is. What do we say to others like them, that although they lack military experience, have serious real life experience, fighting experience and who can go from ground to standing, in hundreds of years old techniques, on to traditional weapons to new weapons and with internal skills and aiki? Like it or not, there simply are superior artists out there in various forms.
My dad taught me its safer to offer respect before, than to have to pay the price later. It can be costly!
Annnnny way.... I am actually showing folks how to change their body, how create internal power and how to express it. So we can all understand our own arts better.
Dan
Last edited by Bodywork on Fri Apr 18, 2014 6:34 am, edited 1 time in total.