Bao wrote:as my own XY is quite rudimentary, I am sure that I don't understand these matters enough to make a very good judgment. I would suggest listening from advanced long-time practitioners, preferably ppl who have XY as their main style or practice only XY and see what they have to say. Sadly enough, those people who would be really interesting to hear what they say are all gone from the boards, or just prefer to lurk now and then but keep quiet.
wayne hansen wrote:I’m with u Bao
Independent arm action
No use of torso
I’m not sure parts of the film arnt sped up
Quigga wrote:Thank Goodness, at least one person sees what I see. Was starting to feel a bit lonely here.
wayne hansen wrote:The reason I asked about what school you trained to see what perspective you were both coming from
Looking at your bio I can see a large range of diverse influences
Those who mastered this body method transcended to not keeping their focus on external coordinations, since they’re already embodied so deeply it’s barely noticeable to the observer.
wayne hansen wrote:Form and intention are important in hsing I
If not it would have another name
wayne hansen wrote:The three levels of hsing I shoul always be there
As they should in any art
Obvious
Hidden
Mysterious
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