by Andy_S on Tue Feb 16, 2010 10:30 pm
KShurika, I was in the village when he was denied his US visa. (Which suited me, as he did not leave).
The forms he is showing there are ad libbed. Also, he seems to have created his own, pao-choish form, which he is totally entitled to do. There is a clips up of the Berlin boys doing it.
I am not a huge fan of his forms, which differ considerably from his fathers (though I was awed by his double sword and his xinjia paochoi) but Ziqiang is a real young master of shuai PH. Here he is being very gentle...and the guys he is with are being very tentativel they are not really sparring him.
At home in the village, he will go as soft or as hard as you like, he is good enough to calibrate his force. I asked him for a shoulder strike demo: He gave me a gentle one - no big deal; then a hard one. I flew about 15 feet, landed on my arse, and declined his kind offer of a third. And I vividly recall Andy (a big, bald Aussie bouncer) who probably outweighed Ziqiang by close to 100 lbs, being toyed with. ZQ loves having big boys to spar, you can see him smiling in action. And unlike many Taiji people, he says "Come at me with anything" not restricted just to grappling.
Allan:
This is the stuff used most commonly in the village when they talk about 'fighting.' From my observations, the set forms of PH, done at arms length, are really just a preliminary for this; most of the trainees in the village are pretty young, late teens and early 20s. Ad libs of the set forms (as shown so nicely by Liu Chengde) are not so common.
RE: 'Why not just learn shuiajiao?'
Fair comment, but I think good Taiji in action IS largely shuiajiao (which is an art per se, as well as being a subset of other MA). Taiji is full of throws, projections and takedowns, so is a shuai-based art; much of that is obvious from the stances. The stand-up wrist and elbow locks you see so commonly in set or cooperative PH are very, very difficult to pull off in actual combat, as witness their minimal use in either PH matches, or NHB. Throws, OTOH, are commonly used in most fighting arts. (IMHO, some Taiji masters, esp in Chen, concentrate too much on locking the wrist and elbow, just as some non_Chen masters do way too much "pushing.")
RE: Liu Chengde
Zigiang is about one third Liu's age...clearly, right not, he is going through a very physical, fighting stage of his Taiji (and one thing the clips dont's show are what excellent shape he is in). Perhaps, when he is in his 70s and he has this kind of experience under his belt, he will be less physical, like Liu.
Frankly, I dont think that it is possible to get good at combative MA without going through this stage. What is being shown here may NOT be the highest level of the art - but if it is not, don't say that so to Judoka or an SC chap,as good body throws are the acme of their arts! Still, regardless of whether it is or is not, I think it is DEFINITELY a step on the way to mastery of Taiji as this is the perfect range to do Taiji at.
(I should add that if I were a fluent at throwing in 20 years time as ZQ is now, I'd be happy.)
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