dedicated to the discussion of the chinese internal martial arts of xingyiquan, baguazhang, taijiquan, related arts, and anything else best discussed over a bottle of rum
Genius '70s Ethiofusion of oldtime big brass marching band, free jazz, '60s rhythm 'n' soul and traditional folk song.
I've loved this extremely ancient court music, representing the Korean expression of Chinese 'Yayue' 雅樂, for over fifty years. Ornette Coleman would have felt right at home back in the Zhou dynasty.
As early as the 1950s, Mr. Mekurya was using his tenor saxophone to emulate the Ethiopian chants known as shellela, traditionally shouted by warriors going into battle.
No wonder we love his music.
When “Negus of Ethiopian Sax” was originally released on Philips Ethiopia, it was a showcase for shellela, with Mr. Mekurya’s tenor ululating over electric bass, organ, piano and drums, in hypnotic triplet meter. The music’s brazen assurance still resonated decades later: One track, simply titled “Shellela,” provided the core sample for “I Come Prepared,” a 2009 single by the rapper K’Naan and the singer Damian Marley.
Here's the man backing up Alemayehu Eshete, the James Brown of Ethiopia, back in the early 70s before the horrible Dergue came to ruin everything for everyone.
And finally: much-sampled ultimate groove by the great Mulatu Astatke, driven along by those inimitable Ethio rub-a-dub rhythmics like a stoned donkey hauling an old wooden cart over cobblestones. Play it double speed at maximum volume without changing pitch for the ultimate head trip. You have been warned!