"Those who embody the teachings of Tao are quiet and easy, yet meet with no impediments.
Pliant in action, they can yet be firm; yielding, they can yet be strong; adapting themselves to circumstances as they change, they still hold fast to the fundamental part of the Doctrine, and are able to effect great things by small means.
When those who are said to be strong in action encounter changes of fortune, or meet with sudden emergencies, or find themselves compelled to prepare for misfortune, or to ward off troubles, their strength is never inadequate, and their antagonists are invariably scattered. Adapting themselves to the transmutations of nature, they choose their times for action, and therefore they are invulnerable.
Therefore, those who wish to preserve their resolution, must maintain it by means of gentleness; and those who wish to preserve their force, must guard it by means of weakness. When gentleness is persevered, it will lead to resolution. When weakness is persevered, it will lead to strength. It is possible to foretell the future well-being or woe of any given person, by watching to see what his constant practice is.
Force can only be successful in combating what is weaker than itself. It cannot overcome anything which is equally strong. But weakness can overcome what is far stronger than itself. The strength of weakness cannot be estimated!
Thus, when soldiers are fierce, they will eventually be annihilated. When wood is hard, it will be easily snapped in two. When the skin of a drum is hard, it will soon crack. The teeth, which are stronger and harder than the tongue, decay first. Therefore, weakness constitutes the substance of life, and strength is associated with death."
Hung Lieh Chuan by Huai-Nan Tzu
http://www.sacred-texts.com/tao/ttx/ttx09.htm
Ian wrote:What's with quoting laozi anyway? He had some nifty ideas, but was he even a martial artist?Daniel wrote:
I agree with the point that MA and IMA can become obsessed with creating stronger legs, which of course isn´t useful, that just means you´re stuck on a level in the training and can´t quite shift out of it. That you need good leg-strength, connections, structure, spine-connections, liuhe, connective tissue/tendon-work, stable lower jiao, a kang that is alive, songkua, the shift-points in the feet, the ankle-connections and the deeper liuhe between toes, legs and hands and arms, and the ability to change smoothly and fast in the legs etc. is a bit of a given.
Hi Daniel,
I'm trying to work on most things in that list, but what do these mean?
-stable lower jiao
-a kang that is alive
-the shift-points in the feet
-the deeper liuhe between toes
Any clarification would be appreciated
Bailewen, I'm glad you want to read the Laozi in the original.
There are over 2000 commentaries on it because it is very old language and since about the first century it has needed commentaries to be correctly understood. The fact that you can still read it at all is do to the massive influence of those commentaries on spoken and written Chinese.
Daniel wrote:
This thread has a very well-deserved place in BTDT, but if you´re still reading it, Ian, here´s a brief answer.
Stable lower jiao - complex, really, but including a lot of the leg-work, stabilizing your lower dantian and linking it to your feet, stabilizing the health in your legs, lower back, buttocks, kua, etc.
The kang is usually referred to more in Chen than in the other arts, but it should be in all three even if in slightly different fashion. It´s the arc you create on the inside of the legs, including how you open from the huiyin, how you open the connective tissue on the inside of the legs down to the insides of the feet, how you open the yin-channels on the inside of the legs, and how you start utilizing bows in your legs, both on the inside and the outside. The kang is also crucial to give you ability to twist and do chanzijing in your legs, as well as use the four energies in energetic form in them, either for leg-attacks, defences, stomps, tears, rakes or throws.
There are several ways of using different points in the feet for shifting power-vectors and change in your body. These are also used in different ways to increase your movement-speed either while closing the gap or for increased power attacking and defending and shifting between them. They should be in all three arts too, they´re just used in different fashion in the three. These points are also connected for use in chanzijing/louxuanjing.
Well, the deeper liuhe between toes and fingers, to be precise. Even though the liuhe start out as very crude links, they should become finer down to millimeters in the long run, including links from each toe to each finger. This is an end-result: there is a progression of links you work through first.
D.
Sarcasm. Oh yeah, like that´ll work.
Li Yiyu wrote:欲要神气收敛入骨,先安两股前节有力,两肩松开,气向下沉。
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