johnwang wrote:In many TCMA systems such as WC, you move your hand while you are standing still and not moving. Will this kind of training cause you "6 harmony" issue later on? How important is "6 harmony" in your training?
Your thought?
johnwang wrote:Right hook punch with right foot step in.
- Left arm wrap with left foot step in.
- Right hand push with right leg inner hook.
- Left hand push with left leg inner hook.
My hand and foot coordination was perfect. This just made me think. Should you always move your hand and foot at the same time?
marvin8 wrote:johnwang wrote:Right hook punch with right foot step in.
- Left arm wrap with left foot step in.
- Right hand push with right leg inner hook.
- Left hand push with left leg inner hook.
My hand and foot coordination was perfect. This just made me think. Should you always move your hand and foot at the same time?
Depends on the situation. I would not say "always." You can step backwards and still KO someone . . .
johnwang wrote:
Do you sometime
- move your foot without moving your hand, or
- move your hand without moving your foot?
In many TCMA systems such as WC, you move your hand while you are standing still and not moving. Will this kind of training cause you "6 harmony" issue later on?
GrahamB wrote:If you're talking about internal connection then "co-ordinate" isn't the same as "move", because it happens inside.
everything wrote:Can you guys talk a little bit about cross body type motions? For example for a power shot in football/soccer, I need to raise up my opposite side arm and swing it down while my leg kicks (incorporate all the leverage of the torso/abs). The "harmony" seems to be from bringing opposite limbs toward each other. Makes the kick much easier to do.
In an MA context that may not make any sense (need the hand up as a guard or whatever).
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