DuYiZhang wrote:Walk the Torque wrote:DuYiZhang wrote:You're just mimmicking and not really understanding it. That's what I get by that.
mimmicking what?
What I meant was that you could be copying beautifully a set of moves but not getting the understanding of them or their applications, or you can't put them to work, obviously you're just mimmicking the person that taught you and that's it.(perhaps I used the term wrong).
Just to be clear. I see three main areas in open hand combat. Striking, locking and throwing. There are also subsections of these areas such as Attack, defense and counter-attack.
Lets take striking for instance. In the begining, when our skill is not so great, we may need a large movement in order to deliver a powerful strike. So we rely on accelerating our weapon (say a fist) through the air as fast as we can to achieve the desired result. Over time, as our skill increases, we begin to realize that we can use the forces of momentum, correct alignment, the twistings and compressions of the body and our intent to refine and enhance our punching power. Inherent in this process comes the ability to deliver strong (or stronger) strikes while covering less and less distance with the fist. Moreover, the many hours of training with partners brings us to the realization that if an opponant is moving towards us, and our timing is correct, we can in fact make extremely small movements (with the above elevation in skills) and catch them in a way that intercepts their energy and nips in the bud their attempt to over-come our defenses.
Where locking is concerned, there is also this progression from larger to smaller movements, in that the application of force against an area of the body that has reached its full range of motion, can be made many times more efficient if the above mechanisms for striking are employed and transposed to fit the situation. This effiency of motion and method of application of force will manifest itself in not only requiring less movement, but also requiring less movement (this is not a typo . The reason is simply that force = mass x acceleration, so that the faster you can get the mass of something to travel the more impact it will have when encountering another body. The only way that we can use whole body power without reducing the speed of its individual parts is to make sure that every part of the body moves very fast over a very small area. To an untrained observer a skilled persons movements can appear no more than a twitch. So that when say, a wrist lock is applied by someone of higher skill, instead of making a large circular motion with the arms and /or stepping to the side to achieve the necessary leverage, they would articulate their body in such a way as to couple their refined body mechanics (and greater power) with the correct position to apply the most effeicent use of force by creating a first class lever system where the arrangement of effort-fulcrum-load (in that order) is reached in the shortest amount of time and space possible.
The principle of reducing movement to achieve the same result can be applied to throwing also. As a simple example imagine (once having entered) you have managed to hold your opponants head and are ready to do a head throw. At this point, if you where using a lower level skill, you might try pulling their head to the rear to unbalance them or attempt to bring their centre outside their base by walking or pivoting around his body. If your skill was of a higher quality, you could simply apply a sudden release of force (fa jin) in one direction (say to the front of the opponants body) and wait for his reaction as he attempts to regain his balance (and using your ting jin) carry him further in the direction he has elected to move, and apply the correct amount of force to then bring him outside his base and towards the floor.
All these methods are in my understanding the mark of higher level skill. That is smaller movements that achieve the same results as lower level skill. There are also other marks of higher level skill of course; one of which is the ease and beauty with which someone can pull off their techniques and the regularity with which they can do it.
Higher and lower skill levels are really just relative positions of practioners on their journeys, whether someone uses yang style's roll back as a deflection, take-down, arm lock or pulling the hair to bring the face to the knee, it will always be a reflection of the relationship between one persons level of skill and the other. Also with so many other variables that may influence the situation, it makes the whole debate a little acidemic in my opinion.
But that is just my opinion.