Samoobramba wrote: In my opinion when we have a "cross-linked" substantial/insubstantial relation we can generate higher speed (because of the body rotation) and also our balance is better.
Contrary when we have a single-sided substantial/insubstantial relation our speed is limited with the speed produced by the gravity acceleration (there is no mentionable body rotation) and our ballance is not optimal.
However in the chaotic fight we can't always choose how our weight and it relation to the hitting hand are related (it is mostly given to us).
C.J.Wang wrote:As a sidenote, Cheng Man-Ching considered the cross alignment principle crucial in understanding "xu" (insubstantial) and "shi"(substantial). He disclosed the principle in his book under a section dealing with materials that masters of the old held close to themselves.
[boldface added]Bodywork wrote: I have never...ever... met someone who could do it without a lot of training. Just the independence of waist movement from hips usually sees most Martial artists undone when they first try to move this way. Some stand there unable to even move- trying to force their body to undo what it has always done.
Buddy wrote:"The cross principle applies to Xingyi just fine.
Think about why some Xingyi masters emphasize the importance of the back hand."
This is the problem with the example of the stills of Luo. In my experience, He always talks about the importance of the opposite hand. It just isn't seen in stills.
Formosa Neijia wrote:edededed wrote:As Dave said, you can do most xingyi/bagua techniques on either side (arms and legs same, or arms and legs different). It does seem to me that the "same" (as opposed to "crossed") versions seem to be default, though, in general.
Yeah, thinking about this stuff in terms of shun bu (same side) and au bu (opposite side) powers really clear it up. Typical shun bu move would be GST -- grasp bird's tail -- and typical au bu power is illustrated in brush knee (luo xi au bu). As you say, it is interesting to see how many taijiquan moves use shun bu/same side power.
Dave C.
Bao wrote:Samoobramba wrote: In my opinion when we have a "cross-linked" substantial/insubstantial relation we can generate higher speed (because of the body rotation) and also our balance is better.
Contrary when we have a single-sided substantial/insubstantial relation our speed is limited with the speed produced by the gravity acceleration (there is no mentionable body rotation) and our ballance is not optimal.
However in the chaotic fight we can't always choose how our weight and it relation to the hitting hand are related (it is mostly given to us).
To always shift between sides according to cross-lining is a bad Idea. It is just too too slow. You need a versatile shenfa and know how to change fast between cross-linking/single side linking, substantial/insubstantial, stationary root/dynamic root/no root (when to temporarily loose root)/ hard and soft (for instance sometimes, if you stiff up, you can fool your opponent to stiff up as well).
Shen fa only has fixed rules when practicing with fixed rules. And when dealing with form, shen fa is often one-dimensional, focusing on only a few aspects of shen fa.
Doing the right thing at the right time is what matters when you fight. You have no time to worry about what aspects of your shen fa you use. If you practice long enough, your body will tell you what to do in what situation: how to maintain stability, when to change posture and from what position you will strike hardest according your opponents position. In real situations things get more complicated than this and you will have no time worrying about things like this. But your body will know by itself if you teach it well.
cloudz wrote:Bodywork wrote:I find cross line body work to be exceedingly fast, with the ground instantly avialable at all times, in rapid jabs, elbow, shoulder strikes that require zero wind-up. More importantly is the throw resistance aspect in Judo or jujutsu. The body winds and moves in a continual state of non-dedicated easy weight transfer that makes it tough to deal with when throwing or trying to throw them. For that matter even though I don't know push-hands from a hole in the wall, the body method has held me in good stead there as well.
I don't do forms and I don't care about anything that won't increase my game. I just don't give a shit unless it can knock someone senseless, throw them on their ass and let me submit them, or prevent them from doing it to me. The question of mobility -with this being too slow-I personally find to be without merit. The feet and body-mass move freer as there is no dedicated transfer of weight needing to take place side to side the way same-side weighted people move. And the interchange in weight and more importantly the joining of it is instantanious, then its spearates instantaniously again.
Overall it generates more mass times velocity. Same side simply cannot deliver that way. It....is slower and...its easier to be thrown. You move and carry your wieght like everyone else. If you're thinking this type of movement looks different or you can see it-without it being pointed out-you can't. But you will feel it and be able to understand it's different instantly. I have never...ever... met someone who could do it without a lot of training. Just the independance of waist movement from hips usually sees most Martial artists undone when they first try to move this way. Some stand there unable to even move- trying to force their body to undo what it has always done. It's different than normal movement.
I'd suggest getting your hands on people who train this way-and more importantly -do it well. Try throwing them, ask them to hit you fast with no wind ups. When you get up off the floor. you can either tell them "They hit and move too slow," or you can ask "How they are training that type of movement?" I'd bet on the later rather than the former.
The quote probably came from Chen Fake as quoted in "Taiji the pracitcal method" from Joe Chen. I never did taiji, but it's there. Oddly the way it is discussed in the book it is if this has always been a controversial topic with much misunderstanding / disagreement. I know in the majority of Japanese arts they consider it to mean the weight over both feet like others have mentioned here. Apparently the debate is nothing new in the Chinese arts either.
I'm not sure you grasped what bao was getting at re. the speed thing. Your weight is either one place or another - it's all well and good saying it better to issue across your body, for whatever reason. But when things are happening fast - it's the adjusting to the situation so you can use that that may slow you down.
If you're in a good position to and throw a right cross - the power comes from your rear right leg, what power and speed did you lose ?
And what power / speed will you gain and or lose by switching in that split moment. likely the firsdt thing you'll lose is the opportunity to throw it. no?
I'm sure this is just misunderstanding on my part - but what are we meaning by "same side weighted people"
Say a jab is issued rear leg to front hand (across), any punch from the rear hand would be same side then. so would that mean you only ever strike with your front hand ?
Or are you standing square on
If you are more talking about standing grappling - could you give a few example what you mean, much appreciated.
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