Tom wrote:Thanks for posting this, Dave. It's something interesting to consider. CPL made a systematic study across styles with leading CMA exponents of the time. It's too bad he never talked to Sal C. here on the forum.
The distinction between xiantian training for body/connection and houtian straight-line application/usage forms is a common one in baguazhang.
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But it is interesting that the 36 Songs and 48 Methods attributed to Dong Haichuan's direct verbal instructions do not provide any real detail on circle-walking--despite the emphasis on the practice in writings of later-generation students like Sun Lutang. IIRC the 36/48 do not contain any specific Daoist references either.
Glad to see someone appreciated it. I have come to the conclusion that Sal is often right even though most of his analysis comes from comparing video clips, which I find problematic. CPL studied from a lot of serious people and i think I saw a reference yesterday to him actually doing luohanquan with a high level teacher in his youth, which would likely make this a form in the CPL lineage that apparently isn't widely taught.
Thanks for the reminder that 36/48 don't contain any specific daoist references or much in the way of circle-walking.
salcanzonieri wrote:Well, I have a whole chapter in my book that deals with Louhan Quan origin of Bagua Zhang.
It has always been said that in the palace Dong Hai Chuan taught Shaolin Louhan Quan. and some BGZ styles still contact some Louhan Quan forms...
Shaolin Louhan 8 Palms form, explained in my book, uses only the flat palm, not fists, in all the moves.
As I said before, most of my teachers have confirmed your thesis that almost all of this stuff is from shaolin and if it wasn't for the early taiji marketing experts like Wu Tu-nan disparaging it, shaolin might be seen in the broader light it deserves. I thought of you specifically when I saw this because this is straight from CPL himself and he was in a position to know. I take his assertion seriously.
As to most people not being able to see a connection, I'm constantly amazed at how people perceive things. They expect a predecessor style to appear 99% similar in appearance but what if this is the "lianhuan" version (the hint is "lian" in lian wuzhang) of a larger practice of proto-houtian baguazhang? It's straight-line in origin, nothing but palm strikes and kicks, has a "stretched out" position shaolin is known for (Gao style, anyone?), CPL points out that houtian BGZ is straight and for application, and get this: CPL thought this was important enough to preserve for a reason.
This is actually why I sometimes cringe when I read your assertions occasionally because you often draw tight connections between two things based on what two videos look like when I've seen people change how something looks in the blink of an eye. XYQ people make their stuff look like baji when they see judges from a baji background judge XYQ at a forms competition, etc. An actual statement like this is a bit more concrete, making me more likely to hang my hat on it than "the way this guy his form looks like X."
Anyway, I thought you'd appreciate the validation. Keep digging. You're going in the right direction.
Time to put the QUAN back in taijiQUAN. Time to put the YANG back in YANG style taiji.