RobP3 wrote:Itto, asked a timely and perfectly legit question, about this "work".. hmm, you sound surprisingly like David (WW), when you put it like that.
I don't think wanting or expecting an honest, clear and succinct answer to a question like that is asking too much.
I thought I'd answered the question
origami_itto wrote:RobP3 wrote:Itto, asked a timely and perfectly legit question, about this "work".. hmm, you sound surprisingly like David (WW), when you put it like that.
I don't think wanting or expecting an honest, clear and succinct answer to a question like that is asking too much.
I thought I'd answered the question
yes that was a perfectly acceptable answer.
How I would approach it based on what I've been exposed to is "one steps" turn based sparring. You stand within range, pick an attack, make one movement in that attack, your partner then has one movement to respond, then you have one movement to respond, repeat till you want to stop. I feel like this approach gives something useful to both sides of the exercise.
Like many people I see systema and it just doesn't look like something my mindset would jive with. Doesn't mean it isn't good.
I don't think they are enough alike to really merit drawing a line. They are both "soft" arts, I suppose. They get there different ways though.
origami_itto wrote:RobP3 wrote:Itto, asked a timely and perfectly legit question, about this "work".. hmm, you sound surprisingly like David (WW), when you put it like that.
I don't think wanting or expecting an honest, clear and succinct answer to a question like that is asking too much.
I thought I'd answered the question
yes that was a perfectly acceptable answer.
How I would approach it based on what I've been exposed to is "one steps" turn based sparring. You stand within range, pick an attack, make one movement in that attack, your partner then has one movement to respond, then you have one movement to respond, repeat till you want to stop. I feel like this approach gives something useful to both sides of the exercise.
Like many people I see systema and it just doesn't look like something my mindset would jive with. Doesn't mean it isn't good.
I don't think they are enough alike to really merit drawing a line. They are both "soft" arts, I suppose. They get there different ways though.
Doesn't mean it isn't good..
cloudz wrote:origami_itto wrote:RobP3 wrote:Itto, asked a timely and perfectly legit question, about this "work".. hmm, you sound surprisingly like David (WW), when you put it like that.
I don't think wanting or expecting an honest, clear and succinct answer to a question like that is asking too much.
I thought I'd answered the question
yes that was a perfectly acceptable answer.
How I would approach it based on what I've been exposed to is "one steps" turn based sparring. You stand within range, pick an attack, make one movement in that attack, your partner then has one movement to respond, then you have one movement to respond, repeat till you want to stop. I feel like this approach gives something useful to both sides of the exercise.
Like many people I see systema and it just doesn't look like something my mindset would jive with. Doesn't mean it isn't good.
I don't think they are enough alike to really merit drawing a line. They are both "soft" arts, I suppose. They get there different ways though.
you see, I thought you were asking about the contents of the clip
like the one using empty force mind control and what that was specifically training
weird how I got that so wrong.
on one had I was waiting for a psychology answer, but the answer was just basic contact martial arts stuff all along.
evade and interrupt movement... silly me, how did I not realise !!
we may as well train everything with some coolio no touch blended in, seeing as the benefit of that kind of training has been so clearly and well explained..
cloudz wrote:so training 'blending with and interrupting movement' needs empty force theatrics added in because ..... ?
It might have been a good answer (to me) if training to run fast, specifically needed the addition of a man running behind you poking a spike in your back.
cloudz wrote:ok...
I was specifically looking at the clip before that one. In Marvins post before yours.
but it really doesn't matter it's the same kind of game being played. I thought specifically to question the "empty force' aspects of i
if these are the only way to train good responses then I think it may pose a problem. So for example if your man did have a knife these kind of responses might mean a lot of claret being shed, trained "as is".
so please remind me, what is the SKILL exactly that needs empty force theatrics to be trained better ?
RobP3 wrote:cloudz wrote:so training 'blending with and interrupting movement' needs empty force theatrics added in because ..... ?
It might have been a good answer (to me) if training to run fast, specifically needed the addition of a man running behind you poking a spike in your back.
But it isn't empty force. I don't get the second part.
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