klonk wrote:Well, Shawn, it's been a while since a yiquan thread. I guess this'll have to do.
Shooter wrote:Ian wrote:Hi Bruce,Shooter wrote:IT jams force vectors from external sources at their origin by entering the structure of that source and connecting said structure via one's IT response.
Isn't this simply 'cutting the force'? As far as I understand, it's a tactic that can be used whether or not a person has any internal training.
Ian, I'm not sure I know what 'cutting the force' is.
It's spontaneous, but completely unreliable without the internal investigations that lead to it being understood well enough that it can be cultivated in a systematic manner.
dps wrote:Here is an explanation of how the skeleton and connective tissue are kept in dynamic tension.
http://www.youtube.com/watch?v=8ajowL0T4bM
http://www.youtube.com/watch?v=bNPgqS3EfRw
David
Ian wrote:Well one example is when someone's about to throw a punch, you punch them in the pec/shoulder which cuts the force at its inception. Or even earlier, looking for movement cues and different signs of intention. Would that fall under 'jamming the force vector', in your opinion?
Shooter wrote:Bhassler wrote:Shooter, you may (apparently) be the only person on the planet who can answer my question:
Is it possible to structue a movement scenario whereby a person with no previous experience of IT could experience it for themselves, without having it demonstrated or approved by someone who already has IT? I'm not talking about developing a viable combat skill, just a glimpse of what IT feels like that one could build on and explore on their own.
Coming back to this mess for a bit.
Brian, despite how simple your request may seem, it was very challenging to work up a movement scenario that would give you a glimpse of IT. Anyway, here goes.
I've worked construction more than half my life as a carpenter, scaffolder, structural welder etc. A few of us used to play a game whenever we were working at height where we'd walk out onto a beam (5 or 6 inches wide) and then stand still (with no safety line) and look straight up into the sky. With clouds moving overhead and no peripheral features to orient with, one had to be sunk, relaxed, and centered. Just to one-up the others, some of us would close our eyes. Doing something similar is a simple exercise you can do to glimpse the primer.
You don't have to be thirty feet off the ground to explore the exercise - eight feet or less will do. As long as it is enough to put you on alert, it'll contain the requisite internal functionings that I've found to be present in the meditative practice I mentioned earlier. I went outside this morning and stood on one of my sawhorses which has a 2x6 top plate and listened for the frequency just to make sure it was an accurate equivalent of the 'state' I've learned to work within in the stationary ball drill. It was, and then some. It's best to do the exercise outdoors and to be high enough that there are no peripheral features (trees, buildings etc) to visually orient yourself. The sky can be cloudy or clear...doesn't matter.
Find a long, narrow, elevated surface (five or six inches wide) and stand one foot in front of the other so your feet are centered. Slowly tilt your head back and center your gaze. Instead of using the usual tug of war of agonistic/antagonist, focus on your 'dantien' movement as a stabilizer. Roll it in whatever direction you feel necessary to stay centered. I wiggle it so as not to get too much 'momentum'. Listen for right or left weightedness. Right-weightedness is too much thinking or dialogue. Left-weightedness is to much physical activity. The opposite may be true for you so you'll have to work that out in your own exploration. It's a mere glimpse of the equilibrium and internal balance of core tension, and neutrality of mind that primes the movement, but it doesn't take the center outside of yourself so it fails to emulate IT on even a basic level. The stationary ball drill puts the center outside, between the hands. With the primer in place and the center contained in the ball (or beyond the ball), you're playing with power.
Focus on the tension that creeps up your core as your head tilts back. That's the balance and invigoration that primes IT. That uneasiness in your gut is 'dantien' that naturally disperses when the frequency is off. If you can find the internal mechanism/response/sequence to consolidate 'dantien' before it disperses into your thoughts and hyperactivity on the initial lockdown of looking up, you're halfway there.
If you can close your eyes, you'll get a completely different experience again, and it might help to give you more than just a glimpse of the primer.
Bruce
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