robert wrote:氣宜鼓盪 (qi yi gu dang) - qi should drum move/shake. I would translate it as move qi like drumming or qi should move like a drum. FWIW.
is that the way "you" feel it
Accords with what I've felt...
robert wrote:氣宜鼓盪 (qi yi gu dang) - qi should drum move/shake. I would translate it as move qi like drumming or qi should move like a drum. FWIW.
windwalker wrote:is this the way "you" feel it
Accords with what I've felt...
What astonished me was the size of the frame he taught. It was much more stretched out than anything I had experienced previously. Above you can see him expanding my 'Ward Left' posture!
Do not apply brute force. Brute force is stiff force. Force must be refined and skillful like a steel needle hidden in cotton. The strength is there, but not presented openly. It is implied in posture. There must be a quality of vibrancy, as opposed to listlessness.
This involves stretching out; the motion opens out. The secret is seen in the palm which is stretched out with the fingers bent but slightly open. The palm is both stretched and at the same time, relaxed. Beginners are usually either too relaxed or too stiff. This influences strength through the whole arm.
Formosa Neijia wrote:GrahamB wrote:Like you wife, I've always been able to generate these magnetic fluidity feelings very quickly. My experience of Tai Chi groups in the UK is that these experiences are what 90% of the conversation is around when it comes to Qi Gong...When I met my Tai Chi teacher I'd try and talk to him about magnetic feelings and he didn't really seem that interested. More of a "yeah that happens, so what...?" type of attitude. That fits in with what you've written above. i.e. it's not that big a deal, more like a side effect, and there are other much more important things.
Then like my wife, you probably have lots of pre-heaven/pre-birth qi, although correct practice of many styles can lead to it over time. Some people are born with great health and others have less. My wife did pistol squats the first time I showed them to her and at the age of 50, she's 5lbs more than she weighed when she graduated high school. Really, some people have all the luck.
What Gillman and probably Rasmus is doing is taking those feelings and then making a system out of them. You can extend those feelings, make them a lot stronger, and use them in different ways. i actually think some people are too quick to dismiss the wind qigong work and others make way too much out of it. It can be good to work with it as long as you don't lose sight of other things, which a lot of people make the mistake of doing.
Unfortunately like a lot of the other pre-heaven qigong this is kind of a hit-or-miss thing. The teacher that taught me this stuff told me that about 30-40% of people won't get it and it will lead to frustration. This is why post-heaven/post-birth qigong (muscle change classic, eight brocades, etc.) is so important because that should work for everyone whether they have feelings or not.
robert wrote:windwalker wrote:is this the way "you" feel it
Accords with what I've felt...
Yes. It also accords with a type of correction I got when I was first learning Chen taiji - you could say the instructor was tuning the drum head.
Steve Higgins took notes at a YZD seminar and the comments line up with this image as well.
Commenting on a YZD seminar -What astonished me was the size of the frame he taught. It was much more stretched out than anything I had experienced previously. Above you can see him expanding my 'Ward Left' posture!
YZD -Do not apply brute force. Brute force is stiff force. Force must be refined and skillful like a steel needle hidden in cotton. The strength is there, but not presented openly. It is implied in posture. There must be a quality of vibrancy, as opposed to listlessness.
This involves stretching out; the motion opens out. The secret is seen in the palm which is stretched out with the fingers bent but slightly open. The palm is both stretched and at the same time, relaxed. Beginners are usually either too relaxed or too stiff. This influences strength through the whole arm.
The idea of being both stretched and at the same time, relaxed conveys the idea of tuning a drumhead. My experience.
汪永泉授楊式太極拳語錄及拳照
Wang Yongquan Writings on Yang Style Tai Chi Chuan
Translated by Richard Man,
https://www.facebook.com/groups/IMA.LiteraryTradition
windwalker wrote:you do know it’s in reference to the another teachers teachings .
Not chen, nor YZD .
robert wrote:windwalker wrote:you do know it’s in reference to the another teachers teachings .
Not chen, nor YZD .
The phrase 神气鼓荡 (shen qi gu dang) - lively qi drumming move/shake is used in Chen style taijiquan. I would translate it as move qi like lively drumming or qi should move like lively drumming. The concept that I've been shown is applicable to the family styles of taijiquan. If your idea of drumming the qi is different that's fine.
windwalker wrote:You seem confused
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