Yang Hai bagua teaching footage

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Yang Hai bagua teaching footage

Postby mixjourneyman on Fri Jan 16, 2009 5:35 am

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Re: Yang Hai bagua teaching footage

Postby Plante on Fri Jan 16, 2009 6:51 am

Truely interesting. Is it the third palm change?

And that guy has very long limbs!!
Like dragon, like phoenix.
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Re: Yang Hai bagua teaching footage

Postby shmirsh on Fri Jan 16, 2009 7:06 am

is that your teacher mix?
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Re: Yang Hai bagua teaching footage

Postby somatai on Fri Jan 16, 2009 7:08 am

i really like Yang Hai's movement....you are all very lucky up there to have him to study with.....one of these days
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Re: Yang Hai bagua teaching footage

Postby mixjourneyman on Fri Jan 16, 2009 7:13 am

Plante: no, I think its "returning body palm".
shmirsh: yep, I've been fortunate enough to study with master Yang for about four years now.

Soma: Host a seminar with him in Boston!!!!! :D
Last edited by mixjourneyman on Fri Jan 16, 2009 7:44 am, edited 1 time in total.
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Re: Yang Hai bagua teaching footage

Postby Wanderingdragon on Fri Jan 16, 2009 7:19 am

somatai wrote:i really like Yang Hai's movement....you are all very lucky up there to have him to study with.....one of these days

Yeah what he said, I would love to study with him for a while
The point . is absolute
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Re: Yang Hai bagua teaching footage

Postby Bao on Fri Jan 16, 2009 12:38 pm

somatai wrote:i really like Yang Hai's movement....


Yeah, he has indeed what I would call "quality of movement". Every move is performed with precision and at the same time it all looks perfectly natural and effortless.
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Re: Yang Hai bagua teaching footage

Postby iwalkthecircle on Fri Jan 16, 2009 1:47 pm

Yang Hai has good skill.
謝奇錚, 鄉人多稱「小謝 」,「阿奇仔」亦以自稱。
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Re: Yang Hai bagua teaching footage

Postby kenneth fish on Fri Jan 16, 2009 4:17 pm

very good clip - Master Yang has excellent control over his center of gravity, crisp, clean movement with intent.
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Re: Yang Hai bagua teaching footage

Postby C.J.Wang on Fri Jan 16, 2009 6:06 pm

Master Yang's Bagua expression differs in flavor and emphasis comparing to what I have learned. His movements show the explicit power, angles of attack, and martial intents at opportune times during circle-walking, signifying where and when possible applications can be manifested. In our Bagua lingo, we refer to this as showing outer squareness within inner circle. It's a great way to teach people how to utilize Bagua realistically.

As for the Bagua I have learned, the power expression is obscure and the idea of "containing one's jin within" is emphasized. The outward movements are very circular --showing outer circle within inner squarness-- thus causing difficulties for beginners to discover potential applications hidden within the form. So by appearance, it looks nothing more than a fancy dance routine for the untrained eyes. Without detailed intruction from the teacher, students are often left wondering in the dark.
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