GrahamB wrote:Please come to my next Bear Eagle $eminar, and I'll tell you all about it. Jose - your place is free, but I'll need to borrow you for applicaiton demos.... I find your backwards running most impressive
Pandrews1982 wrote:What I want to say is why are we automatically always looking to slap down people who don't do something the same as us? The focus straight away was "hey this looks weird, can't be right". But waht about Graham's quality of movement, connectedness etc. Any comments on how he performs rather than what he performs?
Pandrews1982 wrote:I don't want to get into a debate over whether or not this is "real xing yi" I'm convinced it is from experience.
What I want to say is why are we automatically always looking to slap down people who don't do something the same as us? The focus straight away was "hey this looks weird, can't be right". But waht about Graham's quality of movement, connectedness etc. Any comments on how he performs rather than what he performs?
Right now I'd rather look at something I have never seen before and try and learn from it rather than dismiss it. Jose, you guys have variations and family based methods in your teacher's xing yi right? Then why so down on Graham's style? Fellipe has a video on youtube of snake variations, some of which I've never seen, I quite like it I have watched it a few times looking at how he does the movements and trying to see the snake character in them, I didn't dismiss it as not snake or not xing yi or not any good because I hadn't seen it before. Also Fellipe has a horse variation which someone commented said "that's not horse" the reply "Read again. And do a search. There are many variations of the Xingyiquan Horse form out there. Don't be sorry...just get out more " I think that's good advice, replace horse with "bear-eagle" and there you go.
mrtoes wrote:Of course. People are always quick to say "that's not how my teacher taught me". As I said I liked it and thought it looked connected, Graham was clearly going to an effort to move from the core and I liked the minimal arm movements with the lateral strikes in the middle of the clip, particularly with bear. Footwork looked solid. Some of the wheeling slaps (e.g. 0:12) look like they might be coming out from a position that's slightly overextended, but I would hesitate to state that without feeling them first, maybe they work just nicely.
Matthew.
Ha ha
Shawn just loves the drama
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