by NoSword on Mon May 17, 2010 9:17 pm
Ian and Kreese:
Not sure whether your question is regarding Ma's stature as a Chen stylist in general or my specific observation regarding his kua.
With regards to the first question, I dunno if I'd say he's "the best Chen stylist I've ever seen," especially never having seen him in person and never having practiced Chen myself. However, on the basis of what I've seen his gongfu is impressive -- very precise body mechanics, lively and smooth as hell. I also get the impression that he is a great teacher. Any martial artist's personality shows through in the way they play their form, and you can tell from watching Ma Hong's form that he is not only a skilled martial artist but a refined individual as well. For me that's the ultimate measure. I don't know about his fighting skills but given his credentials, I assume that he's got the goods.
So...how about 'an underrated, still-living Chen stylist who's got some sick footage available on Youtube'?
With regards to the second question, I think it is an excellent demonstration of unimpeded flow of energy from the ground up through the hip joints. He's clearly not just shaking them for looks or emphasis, which you see a lot in less-sophisticated Chen taiji. Like I said, I haven't practiced Chen, but I can see that their their practice method privileges this type of jin, which is similarly emphasized in the Tongbei I practice (albeit in a different frame.) Really, all CMA ought to display a clear line of energy transference through the kua, but different styles present it in different ways, and all too often it's absent altogether.
Having been on the receiving end of that type of power, I can say that it is frightening indeed. And having worked to cultivate it myself, I can also say that it is not easy to achieve. It requires a lot of openness such as that developed through splits practice, but that is really just a necessary-but-not-sufficient condition -- takes a lot of integration, articulation, stability, etc. If Ma Hong really didn't start practicing until adulthood, his achievement is doubly impressive. Obviously, just being able to express this type of power in your form is, again, a necessary-but-not-sufficient condition -- you also need to know how to unload it on an opponent.
Does that answer your questions?
Last edited by
NoSword on Mon May 17, 2010 9:47 pm, edited 1 time in total.
Your identity is the enemy